My ANZAC Day

This might seem a little late, but after putting up a post on my Facebook site (one that was meant to be about two lines long, but somehow kept going), I started to get some calls, emails, and messages from people who could relate. People whose emotions around ANZAC Day are as complex as mine, if not more so. People who really seemed to connect with what was written

In the end, I think it had a positive impact. And if I can get a bit more positivity out there, then why not? Plus, if it looks like a blog post, reads like a blog post etc. . .well, I figured I better put it up.

It might not be the greatest formatted or grammatically correct piece, but this is one that came from a very personal place. I always have trouble writing this time of year, but this is maybe what I can do. This is how I do therapy – getting the words out to express that which ironically, can’t really be expressed in words.

Here ’tis (link then words):

Most people who know me also know I spent the majority of my adult life in the military. In fact, I’m heading back into a uniformed role soon, which will be . . .interesting . . .after some time away.

It might seem strange then that I rarely feel comfortable sharing or writing about anything about ANZAC day. It’s not that I want to disrespect the day, or that I have anything against it. In fact, I hold out hope that the commemorations of wars, and the constant reminding of the cost they induce might make people think twice about the next time they want to start a conflict.

But I guess the main thing that makes me hesitate is that there are a bunch of complex issues, and bunch more complex emotions surrounding it.

The thing is, ANZAC Day brings a lot of emotions to the fore. I consider myself lucky to have served with some truly extraordinary people, and I’m proud of the achievements of some of them too.

It also reminds me of the time we had just finished an intense period of training, and just before we left the ship to go home for a break leading up to ANZAC Day, a colleague killed themselves on board the ship. Six months later, another followed suit.

It reminds me of the time I was on night shift, and a signal came through notifying us of death of an officer on leave. The name on the signal was a good friend of both mine and my wife’s.

It reminds me of launching helicopters and seaboats simultaneously while executing precision maneuvering, with a stupid grin on my face because I was having so much fun, and meeting all sorts of great people from other countries and other cultures, hearing their perspectives and widening my own view.

It reminds me of the intellect and compassion of some of the best leaders and people I’ve ever come across, and watching their careers soar.

It reminds me of ‘leadership’ personnel who simply allowed their subordinate to fade away and die due to a lack of the same attributes.

The contrasting emotions and experiences of my service seem to be heightened by days like this. And to be honest, I got away reasonably unscarred from my time in the military

I think that’s the bit that I find the most difficult. If this is a complex time for me, and I generally had a pretty good career, how hard must it be for those who still suffer for their time in uniform? How heightened are their emotions? What if I say the wrong thing, or they take something the wrong way? Should I be reaching out to someone? Who? Will my lack of participation be seen as a rejection? But what if I say the wrong thing? What impact will that have on people? Who will it trigger?

I know most of the worries are ridiculous, especially the last couple, but that’s how my brain works

I guess the point of all this is to point out, however; as conflicting as the day is for me, it’s a hundred times more difficult for others. Not only today, but potentially every day of the year, or for some, sporadically at unpredictable times.

Veterans are not the only people who suffer in silence, so maybe it’s a little selfish of me to limit the focus. But still, that is my area. It’s who and what I know, and quite frankly, I don’t want to lose anyone more friends if I can help it.

So this ANZAC Day, whether you are commemorating or not, I would ask of this; try to view veterans outside of personal views on war, or specific wars, outside of politics or election campaigns etc. Remember they are people first. Be kind, be compassionate, and if you come across someone suffering, remember that this is not the only day they suffer. It might just be the only day it’s so close to the surface that you see it.

~Nathan

 

Pitching!

Bit more of a personal update today, as I’ve neglected the blogging for a couple of weeks now.

Basically, I’ve been a bit quiet with the writing due to work picking up somewhat (as in, the other work. The one that enables many wonderful things like eating, but tends to put a halt on the writing at times), but yesterday was a bit exciting/terrifying.

I put in my first pitch for 2019.

What makes it terrifying? Well, first of all it happens to be a novella, aimed at about 20k words. Now, I tend to write quick and long – getting to 20k isn’t an issue. But containing a story withing 20k? Could be a challenge.

It’s also part of a series written by other authors. I know I shouldn’t stress over this, (especially since it’s just at the pitch stage) but if successful, I really want to make sure I write something that is up to the standard of the others. It’s that whole ‘not wanting to let the team down’ thing.

There are other concerns too, such as making sure the plot is fine, whether the worldbuilding will fit, etc, but these are all ‘if successful’ concerns.

In short, pretty sure that makes them good concerns to have. If they become real, then it means I have a book on the way, which would be an amazing opportunity to get my work out there and make a debut as a ‘real’ author.

And that would awesome.

As a side note, this is why I love perspective. It changes everything if you let it.

Why Speculative Fiction Matters

You know that person who once they start talking about a topic, they don’t shut up? That’s me when it comes to speculative fiction. I love it. New worlds, situations impossible in our current existence, imaginative exploitations of tech – it’s fantastic (no pun intended)

But it is essentially a lie.

That’s not to say it’s inherently dishonest, but as fiction authors we are telling a story that never really happened. Tyrion Lannister, the Halfman, is not a real person, Isengard doesn’t exist, and kids that run into train station columns don’t get transported to a magical platform – they get a concussion.

As writers of the genre, we tell of things that never happened. We tell lies, and that’s ok.

Now a bit about me.

deadpool

As a history grad, a published author in the field of intelligence and ethics, and formally employed as a fraud investigator and military officer, my tolerance for such lies might seem counter-intuitive.

However one of the other things I love about speculative fiction is that good spec fic uses those lies to distil and examine a single truth. By framing it in a world of lies – creative, imaginative, and wonderful lies – works of fiction can focus themselves on a distinct and simple truth, and if done well, can show the debate leading to such a truth from both sides.

 

artists use lies
Image: http://www.picturequotes.com/

 

Take Tracy M. Joyce’s Altaica and Jessica Townsend’s Nevermoor for example. Both imagined worlds, an imagined threats, and an imagined cultures. How then, using characters that still are not real people, can such novels connect with its audience?

The only way it can do this is by representing something that resonates with readers. In this case, the experience of the outsider, of the refugee, of defining their uniqueness, and how they are treated even in the most dire of situations.

That, along with a few other thematic concepts, are the truths that Joyce and Townsend begin with. By framing it all in fictional worlds, which the authors can mould to emphasise these truths. In the end, it is not the fictional components of the characters, or a mysteries of a newly created world that hook us as readers, though they certainly help. To get a reader hooked properly, there needs to be a connection that the reader relates to. That can only be done is through a concept from our own world, through a thematic truth.

Plenty of readers would have experienced what it’s like to be seen as different, and known something of the effort and journey to be accepted or to get to the point at which acceptance no longer matters. That journey towards finding your tribe, so to speak.

Had these stories been set in Sydney, and about a similar struggle brought on by the Global Financial Crisis, aside from being a very different story.

Don’t get me wrong, these stories have their place and in the end many readers will prefer such stories. After all, reader enjoyment trumps all. But for me, the ability to manipulate an entire universe to inform and focus on the thematic truth is an amazing and powerful way to shine a light on something that may otherwise get glossed over. For me, it makes that truth more powerful and makes the novel far more meaningful. When the protagonists’ worlds – relationships, culture, and magics – are all geared to make them an outsider, this is what I connect with.

I think part of this comes from my own worldview as well. We are in a highly politicised era at the moment. This means that no matter what side people are on, they are more focused on not being wrong, than being right. That means pointing out the other person’s mistake rather than admitting your own, reconciling your position with the facts, and moving on.

This focus on destabilising the opposing view, rather than justifying our own means there is little to no correction or meaningful debate, which then has mistruths presented as real. When we expect our leaders to be infallible, unfortunately, they punish all who threaten their ability to project as such.

We are also in a time in which the media, our public fact presentation and checking engine, are focussed on being first rather than being accurate. There are still some very good journalists out there, but a simple check of the spelling in news articles these days will show the pressure they are under. The ‘need it now’ push means less fact-checking and editing.

Add to this the information glut we live in, where there is so much information available to us, there is usually enough ‘evidence’ to support multiple, contradictory options.

 

abe lincoln
Image: http://www.dontgetcaught.biz/

 

To use the needle in a haystack metaphor, if digging to the truth a few decades ago used to be just like that – finding a needle in a haystack, then now it is searching a thousand haystacks for a thousand needles. Except it isn’t a matter of one needle per haystack. And there are located in a thousand different locations. And there are fake needles among them too. And the haystacks are on fire.

What fiction does, particularly speculative fiction, is basically cut out the crap. When the plot, characters, and setting are all fake, the only thing left to connect to the readers is to get some sort of truth in the theme. Even better, by knowing that most of it is a lie, the only question the reader really gets to ponder at the deeper philosophical level is that truth. Get rid of the haystacks, essentially, and instead of looking for the needle, have it presented to you.

It might be pushing the metaphor a little to discuss it any further as a needle, but the beauty of great fiction, be it speculative or otherwise, is that it will present the truth to you. Not as an absolute believe-or-you-burn kind of way, but as a debate, consistently showing the virtues and weaknesses of all sides, and leaving it up to the reader to decide which is the best interpretation.

Plenty of people will still enjoy non-fiction and other forms of fiction, and in the entertainment industry of which we are a part, this is paramount. But for me, I enjoy the exploration of concepts and distilling of truth that is critical to the spec fic world. It challenges us by throwing a truth directly in your face and creating a world and story specifically designed to challenge the reader. I have a passion for learning, and for distilling truth. So these ‘lies’ used to emphasise a truth? That is why I love spec fic. That is why it matters to me.

~ Nathan